- HOW TO SELL MY SCREENPLAY ONLINE HOW TO
- HOW TO SELL MY SCREENPLAY ONLINE MOVIE
- HOW TO SELL MY SCREENPLAY ONLINE TV
So, what if there was some secret way that you could find the producers, managers, agents, directors and stars who were most likely to be interested in the kind of screenplays you write? And the same people aren’t attracted to every script. Producers, directors, agents, managers and stars are attracted to very specific scripts.
HOW TO SELL MY SCREENPLAY ONLINE MOVIE
The finance model for films and TV, whether it’s an indie movie or a huge Hollywood production, is a gambling model.Īnd since no one ever knows for sure which movie will turn into a blockbuster, Producers have business plans, but they make emotional decisions. And a brand new kind of tire everyone wants.” This is not a traditional business.This isn’t: “we’ve found a niche in auto tires that isn’t filled right now. But then on the sixth movie, we’re going to make so much money that it makes all that money back and more. Most likely, if you had 100 million bucks in your bank account, you wouldn’t be thinking, “ you know what, let me take all that cash and let me put it into something that very well might not make the money back.” Right? This is the Hollywood business model: we are going to lose money on five movies, sometimes hundreds of millions of dollars. Or 10 million dollars, 100 million dollars… There’s a really simple reason for this: There is no rational reason to spend a million dollars on a script. How that lines up with your scripts: that’s the part you can’t control.īut when you’re a producer contemplating two scripts that both fulfill your business needs, which one do you buy? Which one do you fight for? Which one makes you want to dive in? What’s hot right now for this particular producer is always going to factor into any decision. So sure, everyone’s got business concerns.
HOW TO SELL MY SCREENPLAY ONLINE HOW TO
As we talked about in episode one of this How To Sell Your Screenplay series, that’s why it takes some luck to sell a script. I’m not saying that there aren’t business concerns involved in the decision. I’m not saying producers don’t have mandates from their bosses or their CEOs. I’m not saying the producers don’t have numbers in their heads. The decision to invest years of your life into bringing something to the big or the small screen. It’s easy to overlook the touchy feely emotional part of selling a screenplay.īut having been on both sides of this picture, having been both a writer and a producer, I can tell you that the decision to buy a screenplay is rarely a rational decision. Selling a screenplay, that’s business, right? Shouldn’t we be talking about four quadrant finance kind of stuff? Isn’t that all about numbers and what’s hot right now?
When we think about selling a screenplay, it’s very rare that anyone tells us to consider the theme. Today I’m going to build upon John’s work, and show you how you can adapt it for your work as a screenwriter.
He has some brilliant ideas about how to brand actors and how to use theme to find the roles that actors should play, the people most likely to cast them, and the projects they’re most likely to get cast in. If you’re an actor, you should check him out. Much of the information that I’m giving you today was developed by a wonderful acting teacher, John Dapolito. Well, that’s what we’re going to be talking about in Part 3 of the How to Sell Your Screenplay series.īefore I jump in today, a shout out. How do you get to producers? And even more importantly, how do you know which producers to get to? Okay, it’s time to get to the nitty gritty. How to Sell Your Screenplay Part 3: How To Find The Right Producer
HOW TO SELL MY SCREENPLAY ONLINE TV
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